Ulysse’in Bakışı 23 Aralık 2000 // 0 Comments Yusuf Güven / Babam der ki: “Kararını verdiğinde; yeni projeye göre tüm hayatın [...]
Bir Erkeğin Anatomisi 23 Aralık 2000 // 0 Comments Nezih Coşkun / “Geçmişin ya da daha çok kişinin çağdaş deneyimini önceki kuşakların deneyimine bağlayan [...]
Eşkıya 23 Aralık 2000 // 0 Comments Elif Genco / Eşkıya, hem bu düzenin politikalarının bir uzantısı olması hem de rotasını kaybetmiş Türk [...]
Monsoon Wedding: Still far, but hopeful 22 Aralık 2000 // 0 Comments by Aylin Sayın / The movie “Awara” directed by the Indian director Raj Kapoor has been repeatedly adapted in Turkey. [...]
The films of Nuri Bilge Ceylan 22 Aralık 2000 // 0 Comments by Yusuf Güven / To the memory of Mehmet Emin Toprak Turkish cinema, as in the whole Europe, encountered a very deep crisis [...]
Small Town Trilogy: Returning to the Small Town 22 Aralık 2000 // 0 Comments by Seray Genç / In a snowy winter day, the children playing on the snow-white road, sliding, decide to play a game to the [...]
Tokyo Story and the Transcendental Element in Ozu’s Humble Style 22 Aralık 2000 // 0 Comments by Evrim Kaya / Yasujiro Ozu is the one of the most widely known Japanese film directors and yet the essential elements in [...]
Prologue. Towards Experimental Etnographies 22 Aralık 2000 // 0 Comments by Montse Romaní and Virginia Villaplana / “A film cannot resolve the social and political issues it raises. Instead it [...]
Total Work 22 Aralık 2000 // 0 Comments by Montse Romaní / TOTAL WORK (1) The socio-political events of 1968 caused an impact in the West, thanks to the liberation [...]
Mocumentaries: Irony or Loss of Irony? 22 Aralık 2000 // 0 Comments by Özge Özdüzen / Mocumentaries can be considered as attempts at challenging the prevalent assumption of “seeing is [...]